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<p><span>Joe Wright’s film “Cyrano,” nominated for an Academy Award for Best Costume Design, was based on Erica Schmidt’s 2018 stage musical of the same name. Peter Dinklage starred in both, as the unattractive but lovestruck swashbuckler of the 1897 play “Cyrano de Bergerac.” Dinklage spoke with </span><a href="https://www.newyorker.com/contributors/michael-schulman"><span>Michael Schulman</span></a><span> in 2019, and said that Cyrano’s predicament is not really about his famously giant schnoz; it is about “everyone’s capacity to not feel worthy of love.” </span><span>Dinklage also spoke about the ending of </span><span>“Game of Thrones,” which had taken place a few months earlier. Fans were still freaking out </span><span>about Daenerys’s turn to brutality at the series’ end, and Dinklage had little sympathy. “Monsters are created. We vote them into office. . . . Maybe [fans] should have waited for the series finale before you get that tattoo, or name your golden retriever Daenerys. I can’t help you.”</span></p> <p> </p> <p><i><span>This segment originally aired December 20, 2019. </span></i></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
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