Jamaica Kincaid on “Putting Myself Together”

À propos de cet épisode

<p>Jamaica Kincaid began writing for <i>The New Yorker</i> in 1974, reporting about life in the magazine’s home city. She was a young immigrant from Antigua, then a British colony; she had been sent to New York—against her wishes—to work as a nanny. Soon began a love affair with New York’s literary scene. “I had to change my name,” she tells David Remnick, “because Elaine Potter Richardson could not write about Elaine Potter Richardson. But Jamaica Kincaid could write about Elaine Potter Richardson.” Kincaid went on to write books about her family; about the dissolution of a marriage; about Antigua, and what colonialism feels like to people on a small island; and later gardening, which she took up with a passion after moving to Vermont. She once said, “Everything I write is autobiographical, but none of it is true in the sense of a court of law. You know, a lie is just a lie. The truth, on the other hand, is complicated.” Kincaid’s new book, “<a href="https://us.macmillan.com/books/9780374613235/puttingmyselftogether/">Putting Myself Together</a>,” is a collection of pieces that span almost half a century in print, and includes her first published piece in <i>The New Yorker</i>—an account of the West Indian-American Day Parade of 1974. </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>