Peter Dinklage on Cyrano, and Life After “Thrones”
À propos de cet épisode
<p><span>In the classic play “Cyrano de Bergerac,” a romantic with an exceptionally large and ugly nose pines after an unattainable woman. “As a person who looks like me, whenever I would watch a version of ‘Cyrano,’ I would just think, ‘That’s an actor in a fake nose,’ ” says Peter Dinklage. Dinklage, who has dwarfism, plays the character in a New Group adaptation by his wife, Erica Schmidt, with music by the National. But Dinklage avoids wearing a prosthetic, and he tells </span><a href="https://www.newyorker.com/contributors/michael-schulman"><span>Michael Schulman</span></a><span><span> </span>that the nose isn’t really the point. The play is about “everyone’s capacity to not feel worthy of love.” To “Game of Thrones” fans who were devastated by the show’s ending, Dinklage has only tough love to offer. “</span><span>They didn’t want it to end so a lot of people got angry. This happens.” He is not distraught about Daenerys, who turned out to be quite a brutal ruler. “Monsters are created. We vote them into office. . . . Maybe [fans] should have waited for the series finale before you get that tattoo, or name your golden retriever Daenerys. I can’t help you.” Plus, e<span>very year, countless poor spellers accidentally address their Santa letters to Satan. Satan—played by Kathleen Turner—always replies.</span></span></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
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Les épisodes de podcast sont l'un des moyens les plus denses d'absorber l'anglais au rythme natif. Peter Dinklage on Cyrano, and Life After “Thrones” de The New Yorker Radio Hour t'offre des dialogues naturels, une parole non scriptée et du vocabulaire qui apparaît vraiment dans les conversations réelles.
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