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<p><span>Patricia Marx is a staff writer at </span><i><span>The New Yorker</span></i><span>, and has contributed pieces for thirty years. Still, it might not be too late to try out a new career. “There are some jobs and endeavors that look impossibly hard,” she notes. “But conducting [an orchestra]—I just thought, How hard, really, can it be?” </span></p> <p><span>Prepared with a little coaching from the real-life conductor Bernard Labadie, and armed with an eight-dollar baton from Amazon, Patty Marx takes a stab at conducting the prestigious Orchestra of St. Luke’s through Hayden’s Symphony No. 45. Marx doesn’t want to do a passable job of conducting the piece; she wants to give it her own unique stamp. With that goal in mind, she devises a set of sui-generis conducting techniques derived from daily activities like hailing a cab, or yoga. “I want to be one of the greats,” Marx says. Plus, <span>the </span><i><span>New Yorker</span></i><span>’</span><i><span>s</span></i><span> Kelefa Sanneh sings the praises of his favorite Christian rockers.</span></span></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
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