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<p>Parker Posey has been a vivid presence in American film, especially indie film, for twenty-five years. She got her start in “Dazed and Confused,” and went on to appear in dozens of movies, including Christopher Guest’s cult-classic satires “Waiting For Guffman,” “Best in Show<i>,</i>” and “A Mighty Wind.”</p> <p>Like her performances, Parker Posey’s new memoir is surprising and funny. “You’re On an Airplane” is written as a monologue delivered by the author to her seatmate on a long flight. It’s also full of recipes, and it includes instructions for throwing pottery. Being so practical and resourceful—not to mention a former cheerleader—served Posey in good stead when she, <i>The New Yorker</i>’s <a href="https://www.newyorker.com/contributors/michael-schulman">Michael Schulman</a>, and his producer <a href="https://www.newyorker.com/contributors/alex-barron">Alex Barron</a> found themselves locked out of her building and trapped in the small yard behind it. </p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
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