Who Was H. G. Carrillo? D. T. Max on a Novelist Whose Fictions Went Too Far

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<p><span>H. G. Carrillo was a writer’s writer—not a household name, but esteemed in literary circles. He began writing later in life, and was in his mid-forties when his first novel, “Loosing My Espanish,” was published. The book, which describes a Cuban-immigrant experience, was hailed as a triumph of Latino fiction; Junot Díaz praised the author’s “formidable” talent, calling his “lyricism pitch-perfect and his compassion limitless.” Carrillo went on to literary positions in and outside of the academy. He was an early casualty of the </span><span>COVID</span><span> pandemic, dying in the spring of 2020 at the age of fifty-nine. But his </span><a href="https://www.washingtonpost.com/local/cuban-american-author-hg-carrillo-who-explored-themes-of-cultural-alienation-died-after-contracting-covid-19/2020/05/21/35478894-97d8-11ea-91d7-cf4423d47683_story.html"><span>obituary</span></a><span>—instead of tying a bow on the historical record—unspooled in quite a different direction, revealing secrets that Carrillo had worked for decades to conceal. For two years, the </span><a href="https://www.newyorker.com/contributors/d-t-max"><span>staff writer D. T. Max </span></a><span>has been trying to trace what happened, and why. </span></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>