Over deze aflevering
<p>For the follow-up to her acclaimed and controversial début feature film, “Promising Young Woman,” the writer and director Emerald Fennell (also well known as an actor on “The Crown”) has made a dark satire of not just aristocracy but our collective preoccupation with it. “Saltburn” follows a college student who joins a wealthy classmate at his family’s mysterious old country estate, which the director shot as “a sex object.” Fennell is very familiar with this world—albeit from a distance. Her father was a jeweller who sold work to Elton John and Madonna, and Fennell went to the same boarding school as Kate Middleton. “As a female filmmaker, more than any other kind, you’re expected to be a memoirist. People are more comfortable with that,” she tells<i> The New Yorker</i>’s Michael Schulman. Her previous film, “Promising Young Woman,” about a woman’s attempt to hold a rapist accountable, had an extremely dark ending that infuriated many viewers, but that Fennell found to be more honest. “I don’t think of myself as a liar at all. I hope I’m very honest—but that’s what a liar would say.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
Luister naar deze aflevering in het Engels om Engels te leren
Podcastafleveringen zijn een van de meest intensieve manieren om Engels op natief tempo op te nemen. Emerald Fennell’s Anatomy of Desire van The New Yorker Radio Hour geeft je natuurlijke dialogen, ongescripte spraak en woordenschat die echt voorkomt in echte gesprekken.
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