Werner Herzog Defends His “Ecstatic” Approach to the Truth
About this episode
<p>The renowned German filmmaker Werner Herzog has become known for many things: his notoriously ambitious film productions like “Fitzcarraldo” and “Aguirre, The Wrath of God”; his expansive documentaries; and his mellifluous voice, which he has used to great effect lately as an actor in productions like “Jack Reacher'' and “The Mandalorian.” But, according to Herzog himself, his fabulist work as his own biographer deserves just as much praise. “That’s my approach, that is beyond outside of facts,” Herzog tells David Remnick. “And it requires stylizations, it requires somehow shaping, creating something like poetry, a sense of poetry, that gives us an approach into truth.” In a wide-ranging conversation, the eighty-one-year-old Herzog looks back on his career, his newfound success embracing the “self irony” of his persona (“I had to spread terror . . . I knew I would be good at it,” he deadpans about his “Reacher” role), and why he never watched a “Star Wars” film until recently. “I am somebody who reads, there is not a day where I do not read,” the prolific Herzog says. “I love what I do. I think I made—in the last two years—two books, three films, and I’m working on a new feature film, and I’m publishing a new book next year.”</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>
Listen to this episode in English to learn English
Podcast episodes are one of the highest-density ways to absorb English at native pace. Werner Herzog Defends His “Ecstatic” Approach to the Truth from The New Yorker Radio Hour gives you natural dialogue, unscripted speech, and vocabulary that actually appears in real conversations.
In the Hinto app, every word in the transcript is tappable. Tap an unknown word, see the translation in your language instantly, and keep listening without breaking flow.
Episodes to Learn English
- Pete Buttigieg on the Democrats’ Sweep of Congress, and Where They Go from Here Nov 6, 2026
- Live Event: Movie Night for New Yorker Radio Hour Listeners Nov 3, 2026
- Defending the Midterms from Donald Trump Nov 1, 2026
- Democrats Might Take Back the House. Then What? Oct 30, 2026
- Despite Reports, Reading Is Alive and Well Oct 27, 2026
- Gina Hinojosa Aims to Make Texas Blue Again Oct 21, 2026
- Molly Fischer on Waymo, the Driverless Taxi Coming to a City Near You Oct 20, 2026
- Has MAGA Lost Faith in Donald Trump? Oct 16, 2026
- The Reporter Nicholas Lemann on California’s Battle to Pass a Billionaire Tax Oct 13, 2026
- Canada’s Plans for Donald Trump Oct 9, 2026
- An American Journalist Imprisoned as a Spy in Russia Oct 6, 2026
- Jeremy Strong on Playing Mark Zuckerberg and Other Unpopular Characters Oct 2, 2026
- Min Jin Lee on “American Hagwon,” Her First Novel After the Phenomenon of “Pachinko” Sep 29, 2026
- Ari Emanuel on Donald Trump, Elon Musk, and Mixing Business with Politics Sep 25, 2026
- Grandmaster Flash on “Birth of a Culture” Sep 22, 2026
- Malcolm Gladwell on “The American Way of Killing” Sep 18, 2026
- From In the Dark: The Journey Sep 16, 2026
- John Wilson and “The History of Concrete” Sep 15, 2026
- Colin Kaepernick, Ten Years After Taking a Knee Sep 11, 2026
- Edwidge Danticat on Haitian Americans in a Time of Peril Sep 8, 2026
- Sarah Longwell, a Former Republican, on “How to Eat an Elephant” Sep 4, 2026
- Gloria Steinem in Conversation with David Remnick, from 2015 Sep 3, 2026
- Ian Frazier and Samy Burch on “Coyote vs. Acme” Sep 1, 2026
- Kai Bird on Roy Cohn, a Founding Father of Donald Trump’s America Aug 28, 2026
- Jessica Tarlov, a Lonely Liberal on Fox News’ “The Five” Aug 25, 2026
- Jon Lovett Answers Your Questions Aug 21, 2026
- Erin Brockovich Takes on Data Centers Aug 18, 2026
- Bernie Sanders Takes on Data Centers Aug 14, 2026
- Sam Smith on Their New Album, “Hazel Eyes” Aug 11, 2026
- How Socialist Is the D.S.A.? Megan Romer Explains Aug 7, 2026