Bette Midler and the Screenwriter Paul Rudnick on “Coastal Elites”

Sobre este episódio

<p><i><span>This segment contains adult language.</span></i></p> <p><span>In the new film “Coastal Elites,” Bette Midler plays a New Yorker of a certain type: a retired teacher who lives on the Upper West Side, reads the New York</span><i><span> Times </span></i><span>with Talmudic attention, and is driven more than half mad by Donald Trump. So much so that one day she picks a fight in a coffee shop with a guy wearing a red MAGA hat, and her monologue takes place when she’s in police custody. The role isn’t too much of a stretch: she tells David Remnick about a long-ago dinner at the Trumps’ apartment that she recalls as a nightmare, and, just days after this interview, Midler tweeted some ill-advised comments about Melania Trump’s accent that she had to apologize for. </span><a href="https://www.newyorker.com/contributors/paul-rudnick"><span>Paul Rudnick</span></a><span> wrote “Coastal Elites” as a series of monologues to be performed at the Public Theatre, but seeing no avenue to perform it during the pandemic, he reconceived of it as a film for HBO, starring big names like Kaitlyn Dever, Dan Levy, Sarah Paulson, and Issa Rae. </span><span>And while he’s sad about the state of live theatre, Rudnick has no regrets about taking the show to television: “You actually got closer than you would if it had been staged live in the theatre,” he says. “You have the best possible seat in the house for a Bette Midler performance.”</span></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>