Regina Spektor on “Home, Before and After”

Sobre este episódio

<p><span>Twenty years ago, Regina Spektor was yet another aspiring musician in New York, lugging around a backpack full of self-produced CDs and playing at little clubs in the East Village—anywhere that had a piano, basically. But anonymity didn’t last long. She toured with the Strokes in 2003, and, once she had a record deal, her ambitions grew beyond indie music: she began writing pop-inflected anthems about love and heartbreak, loneliness and death, belief and doubt. Her 2006 album “Begin to Hope” went gold.  </span></p> <p><span>“Home, Before and After” was released in 2022, six years after her previous studio album. To mark the occasion, Spektor sat down at a grand piano with </span><a href="https://www.newyorker.com/contributors/amanda-petrusich"><span>Amanda Petrusich</span></a><span> to play songs from the record and talk about the role of imagination in her songwriting and vocals. “I think that life pushes you—especially as an adult and especially when you’re responsible for other little humans—to be present in this logistical sort of way,” she says. “I try as much as possible to integrate fun, because I love fun. And I love beauty. And I love magic. . . . I will not have anybody take that away.”</span></p> <p><span>Spektor performed “Loveology,” “Becoming All Alone,” and the older “Aprѐs Moi,” accompanying herself on piano. The podcast episode for this segment also features a bonus track, “Spacetime Fairytale.” </span></p> <p><i><span>This segment originally aired on June 10, 2022.</span></i></p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a href="https://pcm.adswizz.com">pcm.adswizz.com</a> for information about our collection and use of personal data for advertising.</p>